1 00:00:06,890 --> 00:00:09,230 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:09,260 --> 00:00:11,100 - YOU HAVE A MAGNIFICENT BODY. 3 00:00:11,130 --> 00:00:13,230 - DO YOU THINK I HAVE WHAT IT TAKES TO BE AN ACTRESS? 4 00:00:13,260 --> 00:00:15,570 - DID YOU GIVE STU A BLOW JOB? 5 00:00:15,600 --> 00:00:17,600 - WELL, MAYBE I DID. 6 00:00:17,630 --> 00:00:19,400 - I'LL LET YOU KNOW WHAT I DECIDE. 7 00:00:19,440 --> 00:00:21,440 - OH, NO, YOU DON'T. YOU'RE SIGNING WITH ME. 8 00:00:21,470 --> 00:00:22,810 AND YOU'RE SIGNING WITH ME RIGHT NOW. 9 00:00:22,840 --> 00:00:24,370 SOMEONE HAS TO REPRESENT HIM. WHY NOT ME? 10 00:00:24,410 --> 00:00:26,610 - BECAUSE YOU'RE MY FUCKING AGENT, CHARLIE. 11 00:00:26,640 --> 00:00:30,080 - THERE'S THIS GIRL WHO HAS BEEN WORKING WITH SAMURAI--KALI. 12 00:00:30,110 --> 00:00:32,120 - JUST STAY THE FUCK AWAY FROM HER, ALL RIGHT? 13 00:00:32,150 --> 00:00:33,380 YOU HEAR ME? - YOU'RE FIRED. 14 00:00:33,420 --> 00:00:34,850 - WHAT? - WE'RE BRINGING IN 15 00:00:34,880 --> 00:00:36,320 ANOTHER WRITER FOR THE ON-SET WORK. 16 00:00:36,350 --> 00:00:37,390 - CHARLIE SENT ME TO MEET WITH STU. 17 00:00:37,420 --> 00:00:39,120 - CHARLIE DID? - YEAH. 18 00:00:39,160 --> 00:00:40,420 I JUST SIGNED WITH HIM. - I DON'T WANT TO HAVE ANYTHING 19 00:00:40,460 --> 00:00:41,760 TO DO WITH YOU, ALL RIGHT? 20 00:00:41,790 --> 00:00:43,590 - COME ON, BUDDY, DON'T BE THAT WAY. 21 00:00:43,630 --> 00:00:45,500 - I'M NOT YOUR BUDDY, AND YOU'RE FUCKING FIRED... 22 00:00:45,530 --> 00:00:47,330 AS AN AGENT AND A FRIEND. 23 00:00:47,360 --> 00:00:49,200 - * SWING THE SWING 24 00:00:49,230 --> 00:00:51,100 - TYLER SWITCHED DRINKS-- THOUGHT IT'D BE FUNNY 25 00:00:51,140 --> 00:00:52,400 TO WATCH HIM GET DRUNK. 26 00:00:52,440 --> 00:00:53,740 - HAVING A POOL IS AWESOME. 27 00:00:53,770 --> 00:00:56,340 HAVING A HUSBAND IN REHAB IS EVEN BETTER. 28 00:00:56,370 --> 00:00:57,810 - BATES IS COMING BACK TOMORROW. 29 00:00:57,840 --> 00:01:01,710 - SO WE'VE GOT TONIGHT? 30 00:01:08,250 --> 00:01:12,220 WHAT'S UP, 24-HOUR PARTY PEOPLE? 31 00:01:12,260 --> 00:01:13,760 - HEY, HANK, YOU'RE JUST IN TIME. 32 00:01:13,790 --> 00:01:16,490 HAVE A SEAT. WE'RE JUST ABOUT TO SAY GRACE. 33 00:01:16,530 --> 00:01:17,790 - FOR LUNCH? REALLY? 34 00:01:17,830 --> 00:01:19,730 I THOUGHT THAT WAS MORE OF A DINNER THING. 35 00:01:19,760 --> 00:01:21,600 DON'T GET ME WRONG--I'VE HAD SOME FABULOUS MIDDAY MEALS, 36 00:01:21,630 --> 00:01:23,530 BUT I NEVER THOUGHT TO THANK THE CHAIRMAN FOR 'EM. 37 00:01:23,570 --> 00:01:25,600 BUT THAT'S JUST ME... 38 00:01:25,640 --> 00:01:27,370 AN UNGRATEFUL HEATHEN... 39 00:01:27,400 --> 00:01:31,340 HIGHWAY TO HELL AND WHATNOT. 40 00:01:33,210 --> 00:01:34,310 [whispering] WHAT'S HE DOING? 41 00:01:34,340 --> 00:01:35,510 - SHH. BE QUIET. 42 00:01:35,550 --> 00:01:37,850 - IF YOU MUST KNOW, I AM LETTING GO 43 00:01:37,880 --> 00:01:39,580 AND LETTING GOD. 44 00:01:39,620 --> 00:01:40,880 - LETTING GOD WHAT? 45 00:01:40,920 --> 00:01:42,490 - LETTING HIM IN... 46 00:01:42,520 --> 00:01:44,750 LETTING HIM TAKE CARE OF ME... 47 00:01:44,790 --> 00:01:46,560 LETTING HIM HELP ME STAY SOBER. 48 00:01:46,590 --> 00:01:48,460 - DOES HE LET YOU OUT FOR A DRINK EVERY ONCE IN A WHILE? 49 00:01:48,490 --> 00:01:50,260 NAILED IT. 50 00:01:50,290 --> 00:01:51,800 KID, DON'T LEAVE ME HANGING. 51 00:01:51,830 --> 00:01:53,460 [imitates whip cracking] - YOU'RE GONNA HAVE TO GO, HANK. 52 00:01:53,500 --> 00:01:55,600 - WHY? WHAT? - I CAN'T HAVE YOU IN MY HOME 53 00:01:55,630 --> 00:01:57,700 IF YOU'RE GOING TO MOCK AND CHALLENGE MY SOBRIETY. 54 00:01:57,730 --> 00:01:59,300 - I'M NOT CHALLENGING YOUR SOBRIETY, 55 00:01:59,340 --> 00:02:01,510 BUT MOCKING IT IS KIND OF FUN. 56 00:02:04,740 --> 00:02:06,710 OKAY, I'LL BE GOOD. I PROMISE. 57 00:02:06,740 --> 00:02:08,910 - SORRY, HANK. I'VE ALREADY DISCUSSED THIS WITH GABRIEL. 58 00:02:08,950 --> 00:02:10,310 - WHO THE FUCK IS GABRIEL? 59 00:02:10,350 --> 00:02:12,320 - MY SPONSOR AND PERSONAL SAVIOR. 60 00:02:12,350 --> 00:02:14,180 - SURE THEY DIDN'T BRAINWASH YOU OVER THERE, BATESY? 61 00:02:14,220 --> 00:02:15,950 - AND WHAT IF THEY DID? 62 00:02:15,990 --> 00:02:17,890 MAYBE MY BRAIN NEEDED WASHING, HUH? 63 00:02:17,920 --> 00:02:19,460 - JESUS. - YES. 64 00:02:19,490 --> 00:02:22,330 EXACTLY, HANK. YOU JUST HIT IT ON THE HEAD. 65 00:02:22,360 --> 00:02:25,300 JESUS. 66 00:02:25,330 --> 00:02:27,630 - [sighs] 67 00:02:27,660 --> 00:02:30,330 I'M GONNA GO. 68 00:02:30,370 --> 00:02:31,340 YEAH. 69 00:02:31,370 --> 00:02:32,740 - I APPRECIATE THAT, HANK. 70 00:02:32,770 --> 00:02:34,470 - NO, NO, I'M GONNA HIT THE ROAD. 71 00:02:34,500 --> 00:02:35,870 MY WORK HERE IS DONE. 72 00:02:35,910 --> 00:02:38,340 MY LIFE AND MY CAREER AT AN ALL-TIME LOW, 73 00:02:38,380 --> 00:02:39,580 NEW YORK IS CALLING-- 74 00:02:39,610 --> 00:02:41,350 WHAT DO YOU MAKE OF THEM BIG APPLES? 75 00:02:41,380 --> 00:02:44,610 - DO YOU NEED A RIDE TO THE AIRPORT? 76 00:02:44,650 --> 00:02:48,750 [upbeat music] 77 00:02:48,790 --> 00:02:57,190 * 78 00:03:36,330 --> 00:03:39,270 - [sighs] 79 00:03:40,840 --> 00:03:42,640 CAN I GET A HEINEKEN, PLEASE? 80 00:03:42,670 --> 00:03:44,410 - SURE. COMING RIGHT UP. 81 00:03:44,440 --> 00:03:48,580 - WHAT THE FUCK DO YOU WANT? - I'M JUST SAYING HEY. 82 00:03:48,610 --> 00:03:51,580 SO DID YOU END UP SIGNING WITH LARRY LEVINE? 83 00:03:51,620 --> 00:03:53,380 - NO. 84 00:03:53,420 --> 00:03:55,850 THAT DIDN'T WORK OUT QUITE AS WELL AS I'D HOPED. 85 00:03:55,890 --> 00:03:57,920 - YEAH, I ACTUALLY HEARD ALL ABOUT IT. 86 00:03:57,950 --> 00:03:59,560 [giggles] I'M SORRY. 87 00:03:59,590 --> 00:04:01,390 THERE'S NO KEEPING A SECRET IN THIS TOWN. 88 00:04:01,430 --> 00:04:04,590 SO YOU READY TO COME BACK TO ME YET? 89 00:04:04,630 --> 00:04:07,530 - EAT SHIT AND DIE, CHARLIE. - OKAY. 90 00:04:09,730 --> 00:04:11,000 OH, I ALSO HEARD THAT KAREN AND BATES 91 00:04:11,030 --> 00:04:12,570 GAVE YOU THE BUM'S RUSH. 92 00:04:12,600 --> 00:04:13,570 YOU'RE WELCOME TO COME BACK AND CRASH 93 00:04:13,600 --> 00:04:14,800 AT THE VILLA IF YOU WANT. 94 00:04:14,840 --> 00:04:16,440 - I'D RATHER SLEEP IN THE PORSCHE. 95 00:04:16,470 --> 00:04:17,940 - YOU CAN ALWAYS PARK IT OUT IN FRONT OF THE VILLA. 96 00:04:17,970 --> 00:04:20,080 - DON'T WORRY YOUR UGLY, BALD HEAD ABOUT IT, OKAY? 97 00:04:20,110 --> 00:04:21,810 I'M GOING BACK TO NEW YORK ANYWAY. 98 00:04:21,850 --> 00:04:23,710 I'M LEAVING TOMORROW. - I'M GONNA MISS YOU. 99 00:04:23,750 --> 00:04:25,420 - NO, YOU WON'T. - YES, I WILL. 100 00:04:25,450 --> 00:04:27,080 - NO, IF YOU WERE TRULY GONNA MISS ME, 101 00:04:27,120 --> 00:04:29,490 THEN YOU WOULDN'T HAVE DONE SOMETHING TO DRIVE ME AWAY. 102 00:04:29,520 --> 00:04:32,490 - WELL, MAYBE YOU SHOULD REALIZE MY LIMITATIONS 103 00:04:32,520 --> 00:04:35,830 AND STOP EXPECTING ME TO BE SOMEONE I'M NOT. 104 00:04:35,860 --> 00:04:37,860 NICE, RIGHT? 105 00:04:37,890 --> 00:04:40,100 I REALLY KIND OF ZINGED YOU WITH THAT ONE, HUH, BUDDY? 106 00:04:40,130 --> 00:04:43,030 LOOK, I'M SORRY I LET YOU DOWN, OKAY? 107 00:04:43,070 --> 00:04:45,100 I'M REALLY VERY SORRY. 108 00:04:45,130 --> 00:04:47,870 I'M MORE SORRY THAN I'VE EVER BEEN ABOUT ANYTHING EVER. 109 00:04:47,900 --> 00:04:50,110 AND THAT'S SAYING A LOT. 110 00:04:50,140 --> 00:04:54,110 OH... 111 00:04:54,140 --> 00:04:56,980 AND LIZZIE GAVE STU A BLOWIE IN EXCHANGE FOR A ROLE 112 00:04:57,010 --> 00:04:58,780 IN SANTA MONICA COP, AND I'M REALLY TORN UP ABOUT IT. 113 00:04:58,820 --> 00:05:00,520 - [laughs] 114 00:05:00,550 --> 00:05:02,650 YOU'RE A REAL FUCKING NARCISSIST, YOU KNOW THAT? 115 00:05:02,690 --> 00:05:04,990 - YES, BUT IT STILL HURTS. 116 00:05:05,020 --> 00:05:06,890 AND WHO ELSE DO I HAVE TO SHARE 117 00:05:06,920 --> 00:05:08,960 MY PITIFUL TALES OF WOE WITH? 118 00:05:08,990 --> 00:05:10,930 SO YOU GONNA COME PICK UP YOUR STUFF BEFORE YOU GO? 119 00:05:10,960 --> 00:05:12,630 - MAYBE... 120 00:05:12,660 --> 00:05:13,800 I WILL. MAYBE I WON'T. 121 00:05:13,830 --> 00:05:15,370 MAYBE I'LL JUST SIT 122 00:05:15,400 --> 00:05:16,930 ON THIS BARSTOOL ALL NIGHT LONG DRINKING, HUH? 123 00:05:16,970 --> 00:05:18,800 YOU'LL JUST HAVE TO WAIT AND SEE, WON'T YOU? 124 00:05:18,840 --> 00:05:20,440 NOW FUCK OFF. 125 00:05:20,470 --> 00:05:22,740 BE GONE WITH YOU. 126 00:05:31,750 --> 00:05:34,720 [chatter and rock music] 127 00:05:34,750 --> 00:05:40,660 * 128 00:05:40,690 --> 00:05:43,730 HEY. LIZZIE, RIGHT? 129 00:05:43,760 --> 00:05:45,060 - OH, HANK. HELLO. 130 00:05:45,090 --> 00:05:46,930 - HEY, I HEARD YOU GAVE STU A BLOW JOB. 131 00:05:46,960 --> 00:05:51,100 OH. [shushing] 132 00:05:51,130 --> 00:05:53,170 I'M SORRY. IT'S JUST--IT'S VERY HARD 133 00:05:53,200 --> 00:05:54,800 TO KEEP A SECRET IN THIS TOWN-- 134 00:05:54,840 --> 00:05:56,940 IMPOSSIBLE. - YEAH, AIN'T THAT THE TRUTH. 135 00:05:56,970 --> 00:05:59,840 - YEAH, YOU KIND OF TORE HIS HEART OUT. 136 00:05:59,880 --> 00:06:01,780 - YEAH, WELL, SO DID YOU. 137 00:06:01,810 --> 00:06:03,910 - YEAH, BUT HE GAVE MINE THE FINGER FIRST, SO... 138 00:06:03,950 --> 00:06:05,680 - WHAT DO YOU CARE ANYWAY? I THOUGHT YOU HATED HIM. 139 00:06:05,720 --> 00:06:07,120 - I DO... RIGHT NOW. 140 00:06:07,150 --> 00:06:08,690 BUT THAT DOESN'T MEAN I WANT ANYBODY ELSE 141 00:06:08,720 --> 00:06:10,090 TREATING HIM LIKE SHIT. 142 00:06:10,120 --> 00:06:12,120 - I KNOW. I FEEL BAD ABOUT IT--I DO. 143 00:06:12,160 --> 00:06:14,820 - WHATEVER. SHIT HAPPENS. 144 00:06:14,860 --> 00:06:16,460 BLOW JOBS CAN BE ACCIDENTAL. 145 00:06:16,490 --> 00:06:17,860 - I KNOW, RIGHT? - YEAH. 146 00:06:17,890 --> 00:06:19,660 YOU COULD BE LAUGHING LIKE YOU HEARD A JOKE, 147 00:06:19,700 --> 00:06:22,530 "HA HA HA HA, OH, SORRY. 148 00:06:22,570 --> 00:06:23,800 I'M SO SORRY." 149 00:06:23,830 --> 00:06:25,700 - WELL, IT WAS AN ACCIDENT. 150 00:06:25,740 --> 00:06:27,540 - WHAT ARE YOU DOING HERE ANYWAY? 151 00:06:27,570 --> 00:06:28,740 - I HAVE THE NIGHT OFF WORK. 152 00:06:28,770 --> 00:06:30,170 I FELT LIKE WETTING MY WHISTLE. 153 00:06:30,210 --> 00:06:33,440 - WELL, CAN I--CAN I BUY YOU A WHISTLE-WETTER? 154 00:06:33,480 --> 00:06:35,810 - YOU KNOW WHAT? I HAVE A BETTER IDEA. 155 00:06:35,850 --> 00:06:39,480 WHAT DO YOU THINK ABOUT GOING BACK TO CHARLIE'S PLACE 156 00:06:39,520 --> 00:06:41,120 AND WETTING OUR WHISTLES THERE? - WHAT ABOUT CHARLIE? 157 00:06:41,150 --> 00:06:42,750 - HE'S OUT FOR THE NIGHT. 158 00:06:42,790 --> 00:06:44,950 - OH. - MM-HMM. 159 00:06:44,990 --> 00:06:46,190 - WELL, I DO HAVE TO PICK UP MY STUFF. 160 00:06:46,220 --> 00:06:47,660 - SEE? IT'S A GOOD IDEA, RIGHT? 161 00:06:47,690 --> 00:06:48,990 - I'M NOT GONNA SLEEP WITH YOU. 162 00:06:49,030 --> 00:06:51,090 - OH. YOU'RE NOT? 163 00:06:51,130 --> 00:06:52,800 - NO. I COULDN'T DO THAT TO THE POOR BASTARD-- 164 00:06:52,830 --> 00:06:54,700 AT LEAST I DON'T THINK I COULD. 165 00:06:54,730 --> 00:06:57,030 I MEAN, YOU'D PRETTY MUCH HAVE TO TIE ME UP 166 00:06:57,070 --> 00:06:59,240 LIKE KATHY BATES IN MISERY, ONLY INSTEAD OF HOBBLING ME, 167 00:06:59,270 --> 00:07:01,610 YOU'D HAVE TO, YOU KNOW... 168 00:07:01,640 --> 00:07:03,170 RAPE ME. 169 00:07:03,210 --> 00:07:04,640 - THAT SOUNDS LIKE FUN. 170 00:07:04,670 --> 00:07:06,710 - OH, DEAR. 171 00:07:06,740 --> 00:07:08,650 - * UNDERCOVER 172 00:07:08,680 --> 00:07:10,480 * UNDERCOVER 173 00:07:10,510 --> 00:07:13,180 * UNDERCOVER OF THE NIGHT 174 00:07:13,220 --> 00:07:15,650 - ALL RIGHT, LIZZIE, I AM REASONABLY CERTAIN 175 00:07:15,690 --> 00:07:17,150 THAT I'M NOT GONNA HAVE SEX WITH YOU. 176 00:07:17,190 --> 00:07:19,620 - OH, I KNOW YOU'RE NOT. 177 00:07:19,660 --> 00:07:20,890 - I'M GLAD TO HEAR THAT. 178 00:07:20,920 --> 00:07:23,260 AND HOW DO YOU KNOW THIS EXACTLY? 179 00:07:23,290 --> 00:07:26,160 all: SURPRISE! 180 00:07:26,200 --> 00:07:29,200 - HOLY SHITNESS. 181 00:07:29,230 --> 00:07:31,770 EVERYONE I LOVE AND LOATHE ALL IN ONE ROOM. 182 00:07:31,800 --> 00:07:34,040 - WE DECIDED TO THROW YOU A GOING-AWAY PARTY, HANK. 183 00:07:34,070 --> 00:07:35,200 - IT WAS CHARLIE'S IDEA. 184 00:07:35,240 --> 00:07:37,210 - MINE. - YOU SHOULDN'T HAVE. 185 00:07:37,240 --> 00:07:38,780 - I SENT LIZZIE TO TRY TO LURE YOU BACK HERE. 186 00:07:38,810 --> 00:07:41,080 DID SHE DO A GOOD JOB? - SHE DID VERY WELL. 187 00:07:41,110 --> 00:07:43,650 I THOUGHT SHE WANTED TO, YOU KNOW, FUCK ME. 188 00:07:43,680 --> 00:07:45,620 - YEAH, SHE'S A VERY GOOD ACTRESS. 189 00:07:45,650 --> 00:07:48,550 YOU WERE ACTING, RIGHT? - OF COURSE. 190 00:07:48,590 --> 00:07:49,950 [chuckles] 191 00:07:49,990 --> 00:07:52,520 - I'M STILL MAD AT YOU. - OF COURSE YOU ARE. 192 00:07:52,560 --> 00:07:55,560 IN THE MEANTIME, ENJOY YOUR PARTY. 193 00:07:55,590 --> 00:07:58,730 [cheers and applause] 194 00:08:12,110 --> 00:08:16,810 - ...ONCE... - WHAT'S WRONG WITH YOU? 195 00:08:16,850 --> 00:08:18,850 SO ARE YOU REALLY GOING THIS TIME? 196 00:08:18,880 --> 00:08:20,220 - YEP. 197 00:08:20,250 --> 00:08:22,250 ARE YOU GONNA MISS THE SHIT OUT OF ME OR WHAT? 198 00:08:22,290 --> 00:08:23,850 - IT'S ALWAYS THE SAME THING, YOU KNOW, 199 00:08:23,890 --> 00:08:25,090 WHETHER YOU'RE COMING OR GOING. 200 00:08:25,120 --> 00:08:26,860 MY HEART SKIPS A BEAT OR TWO, 201 00:08:26,890 --> 00:08:30,560 AND THEN I JUST HAVE TO CLEAR UP THE MESS YOU LEAVE BEHIND. 202 00:08:30,590 --> 00:08:31,930 - OH, YOU FOUND A NEW WAY OF CALLING ME 203 00:08:31,960 --> 00:08:34,000 A CHARMING ASSHOLE-- GOOD FOR YOU, KAREN. 204 00:08:34,030 --> 00:08:35,160 - YEAH. - BUT I'VE GOT TO BE OFF 205 00:08:35,200 --> 00:08:36,670 LIKE A PROM DRESS. 206 00:08:36,700 --> 00:08:38,000 YOU'VE GOT A LOT OF SHIT TO DEAL WITH. 207 00:08:38,030 --> 00:08:40,000 - OH, I HAVE SOME SHIT. 208 00:08:40,040 --> 00:08:41,200 - WHO'S THE CREEPER? 209 00:08:41,240 --> 00:08:43,970 - HANK, I WANT YOU TO MEET GABRIEL. 210 00:08:44,010 --> 00:08:45,010 - OH, NICE TO MEET YOU, GABE. 211 00:08:45,040 --> 00:08:47,110 - IT'S GABRIEL. - YEAH? 212 00:08:47,140 --> 00:08:48,780 SO, WHAT GIVES, DUDE? 213 00:08:48,810 --> 00:08:50,580 I MEAN, I APPRECIATE YOU COMING TO THE SEND-OFF AND ALL, 214 00:08:50,610 --> 00:08:52,020 BUT THE LAST THING YOU NEED IS A FUCKING PARTY. 215 00:08:52,050 --> 00:08:54,280 - THAT IS EXACTLY WHAT I SAID. 216 00:08:54,320 --> 00:08:55,320 RIGHT? - KARENINA. 217 00:08:55,350 --> 00:08:56,820 DO YOU HAVE A TAMPON? 218 00:08:56,850 --> 00:08:58,250 I JUST STARTED BLEEDING IN MY "PRANNIES." 219 00:08:58,290 --> 00:08:59,690 - [sniffs] 220 00:08:59,720 --> 00:09:01,020 AMBROSIA. 221 00:09:01,060 --> 00:09:03,030 I LOVE A WOMAN ON HER PERIOD. 222 00:09:03,060 --> 00:09:04,990 - OH, MY GOD. - YOU DO? 223 00:09:06,330 --> 00:09:08,600 - I THINK IT'S VERY IMPORTANT 224 00:09:08,630 --> 00:09:11,640 TO CHALLENGE RICHARD'S SOBRIETY. 225 00:09:11,670 --> 00:09:13,270 - GREAT MINDS, GABE. 226 00:09:13,300 --> 00:09:15,240 THAT'S WHAT I WAS DOING, AND HE KICKED ME OUT FOR IT. 227 00:09:15,270 --> 00:09:17,010 - THERE'S POSITIVE WAYS OF DOING IT, HANK. 228 00:09:17,040 --> 00:09:18,370 YOU WERE NEGGING HIM. 229 00:09:18,410 --> 00:09:20,180 - HOW DOES GABE KNOW I WAS NEGGING HIM? 230 00:09:20,210 --> 00:09:22,050 - IT'S GABRIEL. AND HE TELLS ME EVERYTHING. 231 00:09:22,080 --> 00:09:23,350 - I TELL HIM EVERYTHING. - EVERYTHING? 232 00:09:23,380 --> 00:09:25,010 both: EVERYTHING. - HUH. DOES HE KNOW 233 00:09:25,050 --> 00:09:27,180 ABOUT THE GLORIOUS MAN-GINA? 234 00:09:27,220 --> 00:09:28,720 - EVERYTHING, HANK. 235 00:09:28,750 --> 00:09:30,050 - I'M NOT ASHAMED. 236 00:09:30,090 --> 00:09:31,760 - MOODY. - OH, HEY, SAM. 237 00:09:31,790 --> 00:09:33,160 - WHAT'S UP, MAN? - HOW YOU DOING? 238 00:09:33,190 --> 00:09:34,760 - WHAT ARE YOU LEAVING FOR, MOTHERFUCKER? 239 00:09:34,790 --> 00:09:36,290 - YOU DID FIRE ME, BUDDY. 240 00:09:36,330 --> 00:09:37,930 - HOW DO YOU FEEL? 241 00:09:37,960 --> 00:09:39,630 YOU WANT A DRINK RIGHT NOW? - I DO...SO MUCH. 242 00:09:39,660 --> 00:09:41,630 - HERE, MOTHERFUCKER. - NO, NO, NO, NO. 243 00:09:41,670 --> 00:09:43,070 - DON'T FUCKING RAISE YOUR HAND ON ME, MAN. 244 00:09:43,100 --> 00:09:44,270 WHO THE FUCK IS THIS CLOWN? 245 00:09:44,300 --> 00:09:46,140 - THAT'S HIS PERSONAL SAVIOR. 246 00:09:46,170 --> 00:09:49,270 - DO YOU NEED A DRINK RIGHT NOW? 247 00:09:50,740 --> 00:09:52,240 - NO. 248 00:09:52,280 --> 00:09:53,910 NO, I DON'T NEED A DRINK. 249 00:09:53,940 --> 00:09:57,780 - YOU SEE THE DIFFERENCE, RIGHT? - I DO. [laughs] 250 00:09:57,810 --> 00:10:00,350 OH, YOU'RE MY ANGEL, GABRIEL. 251 00:10:00,380 --> 00:10:02,350 - IT'S A PLEASURE. 252 00:10:02,390 --> 00:10:03,950 - FUCK IS THAT ALL ABOUT, MAN? 253 00:10:03,990 --> 00:10:06,420 - FUCK IF I KNOW. 254 00:10:06,460 --> 00:10:08,790 - MAN, WE GOOD, RIGHT? - I DON'T KNOW, SAM. 255 00:10:08,830 --> 00:10:10,290 YOU FIRED ME, YOU DANGLED ME OFF A BALCONY, 256 00:10:10,330 --> 00:10:11,960 AND THEN YOU REPLACED ME 257 00:10:12,000 --> 00:10:13,430 WITH MY DAUGHTER'S STUPID FUCKING BOYFRIEND. 258 00:10:13,460 --> 00:10:15,330 - I DID ALL THAT SHIT OUT OF LOVE, MOTHERFUCKER. 259 00:10:15,360 --> 00:10:17,030 THAT'S HOW IT'S DONE WHERE I'M FROM. 260 00:10:17,070 --> 00:10:18,740 YOU KNOW THAT, MAN. 261 00:10:18,770 --> 00:10:20,870 I'M GONNA MISS YOU ANYWAY, THOUGH, BUDDY, FOR REAL. 262 00:10:20,900 --> 00:10:22,770 WE WAS GOOD TOGETHER. - ALL RIGHT. 263 00:10:22,810 --> 00:10:24,910 WELL, HOW'S IT WORKING OUT WITH TYLER ANYWAY? 264 00:10:24,940 --> 00:10:26,410 - OH, THAT MOTHERFUCKER'S EXCELLENT, MAN. 265 00:10:26,440 --> 00:10:29,350 I MEAN, THIS MOTHERFUCKING KID GOT MY RHYTHM DOWN PAT. 266 00:10:29,380 --> 00:10:31,210 I MEAN, YOU KIND OF HAD MY SHIT, TOO, YO. 267 00:10:31,250 --> 00:10:33,680 BUT I HAD TO IMPROVISE AROUND THAT PRETENTIOUS SHIT 268 00:10:33,720 --> 00:10:35,250 YOU WAS WRITING, BUT THE KID-- HE SPIKES IT EVERY TIME, MAN, 269 00:10:35,280 --> 00:10:36,920 WITH SOME BONG-BONG. - GREAT. 270 00:10:36,950 --> 00:10:37,950 THANKS FOR THE DOWNLOAD. 271 00:10:37,990 --> 00:10:40,060 HEY. 272 00:10:43,230 --> 00:10:45,860 HEY. YOU BROUGHT KALI, HUH? 273 00:10:45,900 --> 00:10:48,800 - YEAH. I THINK I GOT ANOTHER SHOT AT HER AND SHIT. 274 00:10:48,830 --> 00:10:50,030 - OH. - SHE REALLY WARMING UP 275 00:10:50,070 --> 00:10:51,700 TO A KID, MAN. 276 00:10:51,740 --> 00:10:53,040 AND I'VE BEEN ON SOME REAL GENTLEMEN SHIT-- 277 00:10:53,070 --> 00:10:55,840 YOU KNOW, FUCKING OPENING DOORS, "THANK YOU." 278 00:10:55,870 --> 00:10:58,010 WHEN SHE SNEEZE, I FUCKING BLESS THE BITCH. 279 00:10:58,040 --> 00:10:59,410 - ALL RIGHT. GOOD FOR YOU, MAN. 280 00:10:59,440 --> 00:11:01,110 I-I HOPE IT WORKS OUT. SHE'S A GOOD GAL. 281 00:11:01,140 --> 00:11:02,880 - MOTHERFUCKIN' RIGHT SHE IS, MAN. 282 00:11:02,910 --> 00:11:05,720 AND HER CAREER'S ABOUT TO BLOW UP TO THE MOON. 283 00:11:05,750 --> 00:11:07,420 SO NOT ONLY THIS BITCH GONNA MAKE ME MORE MONEY 284 00:11:07,450 --> 00:11:10,390 THAN I ALREADY HAVE, I LOVE THE SHIT OUT OF HER. 285 00:11:10,420 --> 00:11:11,990 THINKING ABOUT PUTTING A BABY UP IN HER ASS. 286 00:11:12,020 --> 00:11:13,360 - "IN HER ASS"? 287 00:11:13,390 --> 00:11:14,960 - I MEAN GETTING HER PREGNANT. - OH, YEAH. 288 00:11:14,990 --> 00:11:16,830 YEAH. NO, I KNOW WHAT YOU'RE TALKING ABOUT. 289 00:11:16,860 --> 00:11:18,730 BUT I'M JUST THINKING MAYBE YOU SHOULD THINK ABOUT THAT. 290 00:11:18,760 --> 00:11:20,300 - WHY THE FUCK NOT, MAN? 291 00:11:20,330 --> 00:11:22,870 THE SUN GOT NINE PLANETS. I CAN HAVE NINE BABY MAMAS. 292 00:11:22,900 --> 00:11:25,740 - WOW. - ENJOYING YOUR PAR-TAY? 293 00:11:25,770 --> 00:11:28,100 - YEAH, BUT I'M STILL MAD AT YOU. 294 00:11:28,140 --> 00:11:30,140 - DULY NOTED. 295 00:11:30,170 --> 00:11:31,810 - DAMN-A-LAMA, RUNKLE. 296 00:11:31,840 --> 00:11:33,110 WHO THE FUCK IS THAT BITCH RIGHT THERE? 297 00:11:33,140 --> 00:11:34,780 WHAT THE FUCK? 298 00:11:34,810 --> 00:11:37,280 - OH, YOU HAVE A LITTLE FLOTSAM AND JETSAM THERE. 299 00:11:37,310 --> 00:11:38,820 - OH, NO. - YEAH, THERE WE GO. 300 00:11:38,850 --> 00:11:40,150 - EXCUSE ME, GENTLEMEN. 301 00:11:40,180 --> 00:11:42,220 - I HAVE TO REDO MY MAKEUP NOW. 302 00:11:42,250 --> 00:11:44,450 [chatter continues indistinctly] 303 00:11:44,490 --> 00:11:46,020 - JESUS! 304 00:11:46,060 --> 00:11:47,890 COULD YOU TWO BE ANY MORE OBVIOUS? 305 00:11:47,920 --> 00:11:50,230 - WHAT THE FUCK CRAWLED UP YOUR ASS, RUNKLE? 306 00:11:50,260 --> 00:11:51,860 WE'RE JUST TALKING HERE. 307 00:11:51,900 --> 00:11:54,000 LIZZIE HAS TO WORK FIRST THING IN THE MORNING, 308 00:11:54,030 --> 00:11:55,900 AND WE ARE DISCUSSING HER CHARACTER. 309 00:11:55,930 --> 00:11:57,970 - OH, I SEE. SO HOW DOES YOUR CHARACTER 310 00:11:58,000 --> 00:11:59,770 FEEL ABOUT HAVING HIS DICK IN YOUR MOUTH? 311 00:11:59,800 --> 00:12:01,940 - DON'T BE CRUDE, CHARLIE. - THAT'S DISGUSTING. 312 00:12:01,970 --> 00:12:03,310 - WHAT DO YOU MEAN IT'S DISGUSTING? 313 00:12:03,340 --> 00:12:05,410 IT ACTUALLY HAPPENED. IN REAL LIFE. 314 00:12:05,440 --> 00:12:08,040 - IT WAS BUSINESS. - STRICTLY BUSINESS. 315 00:12:08,080 --> 00:12:09,410 - YEP. PURE BIZ... 316 00:12:09,450 --> 00:12:13,920 PURE HEAVENLY BIZ. [both laughing] 317 00:12:13,950 --> 00:12:15,350 - YOU JUST BLEW HIM AGAIN, DIDN'T YOU? 318 00:12:15,380 --> 00:12:18,190 I THOUGHT IT WAS A BLOW JOB-- 319 00:12:18,220 --> 00:12:20,060 ONE BLOW JOB. 320 00:12:20,090 --> 00:12:22,090 - WHAT'S THE DIFFERENCE BETWEEN ONE BLOW JOB AND TWO? 321 00:12:22,130 --> 00:12:23,490 - BLOW JOBS ARE LIKE HANDSHAKES. 322 00:12:23,530 --> 00:12:25,330 - MY WORLD IS CRUMBLING. 323 00:12:25,360 --> 00:12:27,560 - YOU KNOW, YOU'RE REALLY GOING TO HAVE TO FIND A WAY 324 00:12:27,600 --> 00:12:29,230 TO PUT THIS BEHIND YOU, RUNKLE. 325 00:12:29,270 --> 00:12:31,200 IN THE MEANTIME, COULD YOU GET ME ANOTHER DRINK? 326 00:12:31,230 --> 00:12:33,340 - OH, AND WHILE YOU'RE AT IT, CHARLIE... 327 00:12:33,370 --> 00:12:35,070 - JUST... 328 00:12:35,100 --> 00:12:36,370 - BALANCE... 329 00:12:36,410 --> 00:12:38,470 THANK YOU. 330 00:12:38,510 --> 00:12:41,180 [rock music] 331 00:12:41,210 --> 00:12:43,180 - UGH. 332 00:12:45,250 --> 00:12:47,820 SOMETHING'S WRONG. - WHAT ARE YOU GOING ON ABOUT? 333 00:12:47,850 --> 00:12:50,820 - STU AND I, WE HAVEN'T FUCKED IN, LIKE, DAYS. 334 00:12:50,850 --> 00:12:52,260 - WHAT'S SO WEIRD ABOUT THAT? 335 00:12:52,290 --> 00:12:54,460 SOMETIMES YOU NEED A BREAK FROM HITTING THAT SHIT. 336 00:12:54,490 --> 00:12:56,330 - NO, TRUST ME, IT'S WEIRD. 337 00:12:56,360 --> 00:12:59,230 USUALLY THE GUY CAN'T KEEP HIS HANDS OFF ME, OKAY? 338 00:12:59,260 --> 00:13:00,530 - MM-HMM. - FUCK, THE LAST TIME 339 00:13:00,560 --> 00:13:02,230 SOMETHING LIKE THIS HAPPENED, 340 00:13:02,270 --> 00:13:03,600 CHARLIE WAS PLAYING SECRETARY WITH HIS SECRETARY. 341 00:13:03,630 --> 00:13:05,100 REMEMBER THAT SHIT? - WHO CAN FORGET? 342 00:13:05,130 --> 00:13:08,070 THAT WAS, LIKE, THE BEGINNING OF THE END. 343 00:13:08,100 --> 00:13:10,040 BUT I'M SURE IT'LL WORK ITSELF OUT, YOU KNOW. 344 00:13:10,070 --> 00:13:12,240 EVERYBODY GOES THROUGH THEIR PEAKS AND VALLEYS. 345 00:13:12,280 --> 00:13:13,980 - YEAH, YOU AND KAREN? 346 00:13:14,010 --> 00:13:15,210 - NEVER. 347 00:13:15,240 --> 00:13:18,080 THAT SHIT WAS FIERCE. WHAT CAN I SAY? 348 00:13:18,110 --> 00:13:19,950 - SEE, THAT'S WHAT I'M TALKING ABOUT. 349 00:13:19,980 --> 00:13:21,550 I WANT THAT. - OKAY, LOOK, HERE'S AN IDEA. 350 00:13:21,580 --> 00:13:23,350 WHY DON'T YOU JUST GO GRAB 351 00:13:23,390 --> 00:13:25,150 THAT WELL-HUNG MACHER OF YOURS AND JUMP HIS BONES, 352 00:13:25,190 --> 00:13:26,860 REMIND HIM WHAT HE'S MISSING? - MM. 353 00:13:26,890 --> 00:13:28,960 - WE'RE JUST GUYS. WE'RE STUPID SOMETIMES-- 354 00:13:28,990 --> 00:13:30,330 A LOT OF TIMES. 355 00:13:30,360 --> 00:13:32,130 - I KNOW. 356 00:13:32,160 --> 00:13:34,000 DON'T GO, HANKY. 357 00:13:34,030 --> 00:13:36,300 LIFE'S SO MUCH MORE INTERESTING WHEN YOU'RE AROUND. 358 00:13:36,330 --> 00:13:37,600 - I DON'T THINK KAREN AND BECCA 359 00:13:37,630 --> 00:13:39,540 WOULD AGREE WITH YOU ON THAT ONE. 360 00:13:39,570 --> 00:13:41,440 - THEY FUCKING LOVE YOU TO PIECES, YOU DUMB SHIT. 361 00:13:41,470 --> 00:13:42,870 WE ALL DO. 362 00:13:42,910 --> 00:13:44,610 YOU JUST HAVE TROUBLE LOVING YOURSELF. 363 00:13:44,640 --> 00:13:46,010 HMM? 364 00:13:46,040 --> 00:13:48,140 - OH, THANK YOU, DR. SIGMUND SMURF. 365 00:13:48,180 --> 00:13:49,450 - WELL, YOU'RE WELCOME. 366 00:13:49,480 --> 00:13:51,380 THAT'LL BE FIVE CENTS, PLEASE. 367 00:13:51,410 --> 00:13:53,020 WOULDN'T IT BE GREAT IF WE COULD JUST GO BACK 368 00:13:53,050 --> 00:13:56,290 TO BEING STUPID AND HAPPY LIKE THOSE TWO? 369 00:13:56,320 --> 00:13:59,560 IT'S SO SWEET. 370 00:13:59,590 --> 00:14:01,020 - OH. - CAN I JOIN? 371 00:14:01,060 --> 00:14:02,460 - OOH, A BIG GIRAFFE. 372 00:14:02,490 --> 00:14:04,560 - OKAY, NOW, THIS-- THIS WOULD BE A THREESOME 373 00:14:04,590 --> 00:14:06,400 FOR ALL TIMES. - OH, YEAH. 374 00:14:06,430 --> 00:14:07,600 OH, YEAH. 375 00:14:07,630 --> 00:14:09,170 THIS SHIT WOULD BE OFF THE CHAIN. 376 00:14:09,200 --> 00:14:12,200 OUR CHEMISTRY WOULD BE LIKE--POW. 377 00:14:12,240 --> 00:14:14,000 OKAY? I WOULD BE THE FUCKING SPICE, 378 00:14:14,040 --> 00:14:16,340 THE SEXUAL TABASCO. 379 00:14:16,370 --> 00:14:18,910 YOU GUYS COULD HAVE YOUR SENSUAL, YOUR LOVEMAKING, 380 00:14:18,940 --> 00:14:20,440 AND I'D WORK THE BALLS AND THE ASSHOLES 381 00:14:20,480 --> 00:14:22,580 AND ALL THAT SHIT. NO. - YEAH. 382 00:14:22,610 --> 00:14:23,980 - YOU KNOW YOU WANT IT. 383 00:14:24,010 --> 00:14:25,680 - [giggles] - GOD DAMN IT. 384 00:14:25,710 --> 00:14:28,480 DO YOU HEAR HOW SEXUALLY FRUSTRATED I AM? 385 00:14:28,520 --> 00:14:30,020 - YES. YES. 386 00:14:30,050 --> 00:14:31,020 - FUCK. I'M HOT. GET OFF. 387 00:14:31,050 --> 00:14:32,260 I NEED TO FIND STU. 388 00:14:32,290 --> 00:14:34,620 - I LOVE THAT LITTLE CHICK. 389 00:14:34,660 --> 00:14:37,060 - OH, ME TOO. - STOP IT. 390 00:14:42,470 --> 00:14:44,430 - I WAS LOOKING ALL OVER FOR YOU. 391 00:14:44,470 --> 00:14:46,240 - HERE I AM. 392 00:14:46,270 --> 00:14:47,440 NOT TALKING TO STU. 393 00:14:47,470 --> 00:14:48,500 JUST DOING MY JOB. 394 00:14:48,540 --> 00:14:50,210 - LOOK, I'M SORRY 395 00:14:50,240 --> 00:14:52,640 THAT I'VE BEEN SUCH A FREAK ABOUT EVERYTHING. 396 00:14:52,680 --> 00:14:54,610 - YOU'RE ENTITLED TO YOUR FEELINGS, CHARLIE, 397 00:14:54,640 --> 00:14:56,350 BUT WE'RE NOT EXACTLY MARRIED, YOU KNOW? 398 00:14:56,380 --> 00:14:58,280 - I KNOW. YOU'RE ABSOLUTELY RIGHT. 399 00:14:58,310 --> 00:14:59,480 YOU ARE RIGHT. 400 00:14:59,520 --> 00:15:02,150 AND I THINK I WOULD LIKE TO CHANGE THAT. 401 00:15:03,520 --> 00:15:04,620 - WHAT ARE YOU TALKING ABOUT? 402 00:15:04,650 --> 00:15:05,960 - I JUST-- I'D LIKE TO PUT 403 00:15:05,990 --> 00:15:08,360 ALL THIS NASTY BLOW JOBS STUFF 404 00:15:08,390 --> 00:15:10,660 BEHIND US AND GET SERIOUS. 405 00:15:10,690 --> 00:15:13,600 I WANT TO HAVE A REAL RELATIONSHIP WITH YOU, LIZZIE. 406 00:15:13,630 --> 00:15:15,160 YOU AND ME. 407 00:15:15,200 --> 00:15:16,600 SITTING IN A TREE. 408 00:15:16,630 --> 00:15:19,140 K-I-S-S-I-N-G. - YOU'RE SO SWEET, CHARLIE. 409 00:15:19,170 --> 00:15:21,570 - IT'S JUST I'VE BEEN THINKING ABOUT THIS A LOT LATELY. 410 00:15:21,600 --> 00:15:23,670 AND I THINK I REALIZED SOMETHING. 411 00:15:23,710 --> 00:15:27,080 I THINK YOU MIGHT BE MY LAST HOPE 412 00:15:27,110 --> 00:15:28,340 FOR TRUE LOVE. 413 00:15:28,380 --> 00:15:31,510 - BUT HOW CAN THAT BE, CHARLIE? 414 00:15:31,550 --> 00:15:33,620 YOU'VE BEEN SO FURIOUS WITH ME FOR BLOWING STU. 415 00:15:33,650 --> 00:15:36,520 - YES, AND THAT STILL DOESN'T SIT WELL. 416 00:15:36,550 --> 00:15:38,420 BUT, LIKE I SAID, I'VE BEEN THINKING ABOUT IT, 417 00:15:38,450 --> 00:15:41,660 AND I DON'T THINK THAT IT'S A DEAL-BREAKER. 418 00:15:41,690 --> 00:15:43,560 SO HERE ARE MY TERMS: 419 00:15:43,590 --> 00:15:47,700 IF YOU WOULD BE WILLING TO NOT BLOW ANYONE BUT ME, 420 00:15:47,730 --> 00:15:51,000 THEN I WOULD BE WILLING TO GIVE THE TWO OF US A REAL SHOT. 421 00:15:51,030 --> 00:15:52,070 WHAT DO YOU SAY? 422 00:15:54,800 --> 00:15:57,140 - NO. 423 00:15:57,170 --> 00:15:59,510 - NO? 424 00:15:59,540 --> 00:16:01,510 JUST LIKE THAT, NO? 425 00:16:01,540 --> 00:16:04,450 - LOOK, WE'RE AT VERY DIFFERENT PLACES IN OUR LIVES, CHARLIE. 426 00:16:04,480 --> 00:16:06,420 I'M AT THE BEGINNING OF WHAT I HOPE WILL BE 427 00:16:06,450 --> 00:16:07,480 AN INTERESTING JOURNEY, 428 00:16:07,520 --> 00:16:09,120 AND YOU'RE... 429 00:16:09,150 --> 00:16:10,290 - AT THE END? 430 00:16:10,320 --> 00:16:12,290 - I DIDN'T SAY THAT. 431 00:16:12,320 --> 00:16:13,420 - BUT YOU WERE THINKING IT. 432 00:16:13,460 --> 00:16:16,130 - NO, I WASN'T. 433 00:16:21,730 --> 00:16:24,070 OKAY, I'M GONNA GO, CHARLIE. 434 00:16:24,100 --> 00:16:25,500 I HAVE TO GET SOME REST BEFORE TOMORROW, 435 00:16:25,530 --> 00:16:28,140 AND MY JAW IS JUST KILLING ME. 436 00:16:28,170 --> 00:16:33,080 LOOK, WHY DON'T WE PUT A PIN IN THIS FOR THE MOMENT? 437 00:16:33,110 --> 00:16:35,040 OKAY? 438 00:16:42,620 --> 00:16:45,090 - UM, WHAT ARE WE DOING? 439 00:16:45,120 --> 00:16:47,120 - OH, I DON'T KNOW, BABY. 440 00:16:47,160 --> 00:16:50,460 I JUST THOUGHT YOU MIGHT WANT TO FUCK ME SILLY 441 00:16:50,490 --> 00:16:54,360 ON CHARLIE'S BED. 442 00:16:54,400 --> 00:16:56,570 - I DON'T KNOW, MARCY. THAT SEEMS KIND OF WRONG. 443 00:16:56,600 --> 00:16:59,240 - WHAT? - WHAT? 444 00:16:59,270 --> 00:17:03,310 - WE PLAY ALL KINDS OF CRAZY FUCKING SEX GAMES 445 00:17:03,340 --> 00:17:05,340 INVOLVING HUMILIATING MY EX-HUSBAND, 446 00:17:05,370 --> 00:17:07,410 AND THIS IS SICK AND WRONG, ALL OF A SUDDEN? 447 00:17:07,440 --> 00:17:08,740 WHAT THE FUCK IS UP WITH YOU, STU? 448 00:17:08,780 --> 00:17:10,710 - NOTHING. 449 00:17:10,750 --> 00:17:12,250 YOU'RE ON YOUR PERIOD. 450 00:17:12,280 --> 00:17:14,220 - SO FUCKING WHAT? 451 00:17:14,250 --> 00:17:15,420 WE'LL THROW DOWN A TOWEL. 452 00:17:15,450 --> 00:17:17,090 YOU SAID YOU LOVED MY BLOODY COOCH. 453 00:17:17,120 --> 00:17:18,790 - HOW BLOODY WE TALKING? 454 00:17:18,820 --> 00:17:21,220 - JUST STARTED. A LITTLE RUSTY. 455 00:17:21,260 --> 00:17:24,490 - UH... I DO LOVE YOUR BLOODY COOCH. 456 00:17:24,530 --> 00:17:26,630 OKAY, YEAH. YEAH, OKAY. 457 00:17:26,660 --> 00:17:28,400 YOU WANT TO FUCK? LET'S FUCK. 458 00:17:28,430 --> 00:17:30,800 - YEAH. THERE'S MY STALLION. 459 00:17:30,830 --> 00:17:34,600 - HERE COMES EL PRESIDENTE. 460 00:17:34,640 --> 00:17:36,270 OPEN WIDE FOR... 461 00:17:36,310 --> 00:17:38,240 - COME ON, DADDY. - YEAH. THERE WE ARE. 462 00:17:38,270 --> 00:17:39,810 YEAH. 463 00:17:39,840 --> 00:17:42,080 [breathes hard] 464 00:17:45,850 --> 00:17:48,450 - WHAT THE FUCK, STU? - WHAT? 465 00:17:48,480 --> 00:17:50,520 - YOU'RE NOT EVEN REMOTELY HARD. 466 00:17:50,550 --> 00:17:53,360 - GETTING THERE. - NOT REALLY. 467 00:17:53,390 --> 00:17:54,520 - DON'T STARE. 468 00:17:54,560 --> 00:17:56,890 - YOU'RE ALWAYS HARD. 469 00:17:56,930 --> 00:17:59,530 - WELL, I HAD A FEW COCKTAILS. - SO FUCKING WHAT? 470 00:17:59,560 --> 00:18:01,530 I COULD TIE YOU OFF AND SHOOT YOU UP WITH HEROIN 471 00:18:01,560 --> 00:18:03,670 AND YOU'D STILL HAVE A MUSCLY BABY'S ARM BETWEEN YOUR LEGS. 472 00:18:03,700 --> 00:18:06,400 - I DON'T SEE WHY YOU HAVE TO EMASCULATE ME, MARCY. 473 00:18:06,440 --> 00:18:08,640 - SOMETHING'S UP WITH YOU, STU. 474 00:18:08,670 --> 00:18:10,610 - THERE IS NOTHING UP WITH ME, MARCY. 475 00:18:10,640 --> 00:18:12,580 NOTHING. 476 00:18:14,880 --> 00:18:17,250 - OBVIOUSLY. 477 00:18:19,750 --> 00:18:22,320 [door opens and shuts] 478 00:18:22,350 --> 00:18:24,320 - GOD DAMN IT. 479 00:18:24,350 --> 00:18:28,290 YOU! 480 00:18:28,320 --> 00:18:30,290 [groans] 481 00:18:30,330 --> 00:18:31,560 - HEY, SWEETIE. 482 00:18:31,590 --> 00:18:33,230 HOW YOU DOING? 483 00:18:33,260 --> 00:18:34,560 - GOOD. - YEAH? 484 00:18:34,600 --> 00:18:36,230 - THINGS ARE GOOD. 485 00:18:36,270 --> 00:18:38,570 I FEEL LIKE WE'RE IN A GOOD PLACE RIGHT NOW. 486 00:18:38,600 --> 00:18:40,440 I TRUST HIM. I REALLY DO. 487 00:18:40,470 --> 00:18:43,210 - I WAS ASKING MORE ABOUT YOUR GENERAL WELL-BEING. 488 00:18:43,240 --> 00:18:44,810 NOT YOUR RELATIONSHIP. 489 00:18:44,840 --> 00:18:46,380 - OH. 490 00:18:46,410 --> 00:18:48,680 I'M PEACHY. 491 00:18:48,710 --> 00:18:50,810 - ARE YOU GONNA MISS ME? 492 00:18:50,850 --> 00:18:52,450 - YES AND NO. 493 00:18:52,480 --> 00:18:53,720 - OH, THAT'S RIGHT. YOU LIKE ME BETTER 494 00:18:53,750 --> 00:18:54,750 WHEN I'M IN NEW YORK, RIGHT? 495 00:18:54,780 --> 00:18:56,290 - COME ON, DAD. 496 00:18:56,320 --> 00:18:57,620 YOU DO HAVE A TENDENCY TO BLOW INTO TOWN 497 00:18:57,650 --> 00:18:59,520 AND CAUSE A FAIR AMOUNT OF CHAOS. 498 00:18:59,560 --> 00:19:01,390 - THIS IS TRUE. 499 00:19:01,420 --> 00:19:04,260 - WELL, PREPARE FOR LIFE TO GET A LOT MORE BORING 500 00:19:04,290 --> 00:19:05,590 WITHOUT ME AROUND. 501 00:19:05,630 --> 00:19:07,700 - I THINK WE CAN HANDLE IT. RIGHT, MOM? 502 00:19:07,730 --> 00:19:12,270 - BORING RIGHT NOW SOUNDS LIKE THE SOUTH OF FRANCE TO ME. 503 00:19:12,300 --> 00:19:13,670 - WELL, YOU TWO MAY NEED A BREAK FROM ME, 504 00:19:13,700 --> 00:19:16,870 BUT I'M GONNA MISS YOU GUYS SOMETHING AWFUL. 505 00:19:16,910 --> 00:19:19,610 THE OLDER I GET, THE CLEARER IT BECOMES 506 00:19:19,640 --> 00:19:20,910 THAT YOU TWO WERE THE BEST THING THAT EVER HAPPENED 507 00:19:20,940 --> 00:19:22,850 TO AN OLD FOOL LIKE ME. 508 00:19:22,880 --> 00:19:25,610 AND I JUST LOVE YOU BOTH SO MUCH. 509 00:19:25,650 --> 00:19:28,480 I WANT YOU TO BE HAPPY. 510 00:19:28,520 --> 00:19:30,490 - OH, MY GOD. 511 00:19:30,520 --> 00:19:31,490 DID YOU GET THAT? 512 00:19:31,520 --> 00:19:32,920 - YEAH, I THINK I DID. 513 00:19:32,960 --> 00:19:34,990 - WHAT? WHAT'D I DO? 514 00:19:35,020 --> 00:19:37,660 - WELL, YOU WERE JUST TOTALLY SINCERE. 515 00:19:37,690 --> 00:19:39,400 I MEAN, NOT EVEN REMOTELY GLIB. 516 00:19:39,430 --> 00:19:40,900 - HUH. - AND YOU DIDN'T EVEN SWEAR. 517 00:19:40,930 --> 00:19:43,630 - [laughs] - RIGHT? 518 00:19:43,670 --> 00:19:46,340 - FANCY THAT. I SHOULD TRY THAT SHIT MORE-- 519 00:19:46,370 --> 00:19:47,670 [liquid falling] OH, SHIT. 520 00:19:47,700 --> 00:19:50,370 - IT'S OKAY. 521 00:19:50,410 --> 00:19:52,280 YOU SHOULD GO CHANGE YOUR T-SHIRT. 522 00:19:52,310 --> 00:19:54,340 - YOU STILL GET ME WET. 523 00:19:54,380 --> 00:19:56,880 - YOU DIDN'T HEAR THAT. 524 00:20:05,290 --> 00:20:06,560 [both gasping] 525 00:20:06,590 --> 00:20:07,960 - WHAT THE FUCK? 526 00:20:07,990 --> 00:20:09,530 - I'M SORRY, HANK. 527 00:20:09,560 --> 00:20:10,660 YOU WEREN'T SUPPOSED TO SEE THAT. 528 00:20:10,690 --> 00:20:12,630 - FUCKING-A RIGHT I WASN'T. 529 00:20:14,560 --> 00:20:16,630 - LOOK, I WAS OVERCOME WITH EMOTION. 530 00:20:16,670 --> 00:20:19,670 I MEAN, HE'S DONE SO MUCH FOR ME. 531 00:20:19,700 --> 00:20:21,270 - HE KISSED ME. ON THE MOUTH. 532 00:20:21,300 --> 00:20:22,270 - YEAH, HE DOES THAT SOMETIMES. 533 00:20:22,310 --> 00:20:23,440 - I FELT SOMETHING. 534 00:20:23,470 --> 00:20:26,280 - OBVIOUSLY. - WE WENT WITH IT. 535 00:20:26,310 --> 00:20:28,640 - YEAH, YOU WENT WITH IT ALL THE WAY TO FUCKING BLOW JOB CITY. 536 00:20:28,680 --> 00:20:30,050 - OKAY, WHAT CAN I SAY? 537 00:20:30,080 --> 00:20:32,050 IT FELT LIKE THE THING TO DO. FOR THE NONCE. 538 00:20:32,080 --> 00:20:33,680 - WHAT CAN YOU SAY? 539 00:20:33,720 --> 00:20:36,420 YOUR FUCKING WIFE IS SITTING RIGHT OUT THERE. 540 00:20:36,450 --> 00:20:38,290 - I KNOW. IT'S JUST... 541 00:20:38,320 --> 00:20:39,960 KAREN AND I, WE'RE JUST 542 00:20:39,990 --> 00:20:41,760 IN DIFFERENT EMOTIONAL ZIP CODES RIGHT NOW. 543 00:20:41,790 --> 00:20:43,590 - YEAH, I'LL SAY. 544 00:20:43,630 --> 00:20:45,290 YOU'RE IN FUCKING EMOTIONAL WEST HOLLYWOOD RIGHT NOW. 545 00:20:45,330 --> 00:20:46,860 - IT'S NOT ABOUT GAY OR STRAIGHT. 546 00:20:46,900 --> 00:20:48,430 - NO, IT NEVER IS WITH YOU. 547 00:20:48,460 --> 00:20:50,430 - LOOK, KAREN DOES NOT UNDERSTAND 548 00:20:50,470 --> 00:20:52,300 WHAT I'M GOING THROUGH RIGHT NOW. 549 00:20:52,340 --> 00:20:55,540 I'M ALL RAW AND CHURNED UP INSIDE. 550 00:20:57,440 --> 00:20:58,710 IT'S GONNA BE OKAY. 551 00:20:58,740 --> 00:20:59,910 I'M GONNA FIND MY WAY BACK TO HER, 552 00:20:59,940 --> 00:21:01,440 I PROMISE. 553 00:21:01,480 --> 00:21:02,780 - YEAH, THAT'S WHAT I ALWAYS SAID. 554 00:21:02,810 --> 00:21:04,050 DIDN'T QUITE MAKE IT, THOUGH, DID I? 555 00:21:04,080 --> 00:21:05,750 AND IT'S NOT RIGHT TO TOY WITH HER. 556 00:21:05,780 --> 00:21:08,580 - OH, TOY. YEAH, YOU'RE ONE TO TALK. 557 00:21:08,620 --> 00:21:10,550 - YEAH, BUT FOR ONCE, I'M NOT THE ONE IN THE WRONG. 558 00:21:10,590 --> 00:21:12,720 - THERE IS NO RIGHT OR WRONG, HANK, 559 00:21:12,760 --> 00:21:14,720 NOT WHEN YOU TRUST YOUR INSTINCTS. 560 00:21:14,760 --> 00:21:17,530 - BATES, YOU WERE GETTING SUCKED OFF BY YOUR SPONSOR. 561 00:21:21,800 --> 00:21:23,870 - I SHOULD GO HOME. 562 00:21:26,370 --> 00:21:28,970 THIS--THIS WAS NOT A GOOD IDEA. IT'S JUST-- 563 00:21:29,000 --> 00:21:31,810 IT'S JUST--IT'S TOO MUCH TOO SOON. 564 00:21:31,840 --> 00:21:33,680 - I'LL TAKE YOU, 'CAUSE WE HAVE THINGS TO DISCUSS. 565 00:21:33,710 --> 00:21:35,710 - YES. YES, WE DO, GABRIEL. 566 00:21:35,740 --> 00:21:37,910 A GREAT MANY THINGS, MY DEAR BOY. 567 00:21:41,780 --> 00:21:43,920 KEEP AN EYE ON KAREN FOR ME? 568 00:21:43,950 --> 00:21:45,620 - SURE. 569 00:21:45,650 --> 00:21:47,360 - AND DON'T GET ANY WEIRD IDEAS. 570 00:21:47,390 --> 00:21:48,690 - WHAT THE FUCK, DUDE? 571 00:21:48,720 --> 00:21:50,430 YOU WERE JUST TONSILS-DEEP IN THAT GUY, 572 00:21:50,460 --> 00:21:52,360 AND YOU'RE ASKING ME TO BEHAVE MYSELF WITH YOUR WIFE? 573 00:21:52,400 --> 00:21:54,400 - YES. 574 00:21:54,430 --> 00:21:56,370 WHY IS THAT WEIRD? 575 00:21:56,400 --> 00:21:58,600 - GET THE FUCK OUT OF HERE. 576 00:22:08,110 --> 00:22:09,910 YOU ALL RIGHT? - YEAH. 577 00:22:09,950 --> 00:22:11,680 I JUST, YOU KNOW, 578 00:22:11,710 --> 00:22:13,080 I WANTED TO GET SOME FRESH AIR. 579 00:22:13,120 --> 00:22:15,720 GOD, IT'S KIND OF A FREAK SHOW UP THERE. 580 00:22:15,750 --> 00:22:17,620 - OH, YOU DON'T KNOW THE HALF OF IT, LADY. 581 00:22:17,650 --> 00:22:19,350 - REALLY? 582 00:22:20,820 --> 00:22:23,060 - SO BATES AND THE CREEPER WENT HOME. 583 00:22:23,090 --> 00:22:24,930 - THANK GOD. - REALLY? 584 00:22:24,960 --> 00:22:26,530 TELL ME WHAT YOU REALLY FEEL. 585 00:22:26,560 --> 00:22:27,800 - [laughs] 586 00:22:27,830 --> 00:22:29,670 NO, IT'S JUST NICE TO HAVE A BREAK 587 00:22:29,700 --> 00:22:30,670 FROM THE PROJECT. 588 00:22:30,700 --> 00:22:31,930 - PROJECT? 589 00:22:31,970 --> 00:22:34,400 - YES, HIS REHABILITATION, YOU KNOW. 590 00:22:34,440 --> 00:22:35,940 IT'S THIS HUGE PROJECT. 591 00:22:35,970 --> 00:22:38,110 THERE'S, LIKE, NO SPACE FOR ANYTHING ELSE RIGHT NOW. 592 00:22:38,140 --> 00:22:39,610 - COME ON. 593 00:22:39,640 --> 00:22:40,940 DON'T BE SO HARD ON YOURSELF. 594 00:22:40,980 --> 00:22:43,050 - WHY SHOULDN'T I BE HARD ON MYSELF? 595 00:22:43,080 --> 00:22:46,950 I PICK THE MOST ABSURDLY WRONG MEN, 596 00:22:46,980 --> 00:22:49,720 AND THEN I JUST PING-PONG BETWEEN THEM. 597 00:22:49,750 --> 00:22:52,890 - WOULDN'T SAY YOU'RE A SERIAL PING-PONGAMIST. 598 00:22:52,920 --> 00:22:53,990 BIG DEAL. 599 00:22:54,020 --> 00:22:56,120 - I'M JUST TIRED 600 00:22:56,160 --> 00:22:59,090 OF ALWAYS KEEPING IT TOGETHER FOR SOMEONE ELSE, YOU KNOW. 601 00:22:59,130 --> 00:23:01,960 IT JUST--I WANT TO BE THE CRAZY ONE SOME-- 602 00:23:02,000 --> 00:23:03,800 I WANT TO, LIKE, STRIP OFF MY CLOTHES 603 00:23:03,830 --> 00:23:05,000 AND JUST RUN DOWN THE STREET NAKED. 604 00:23:05,030 --> 00:23:07,000 - I WOULD VERY MUCH LIKE TO SEE THAT. 605 00:23:07,040 --> 00:23:08,140 I WOULD CAMP OUT 606 00:23:08,170 --> 00:23:10,010 TO BUY TICKETS. 607 00:23:10,040 --> 00:23:12,680 - WHAT? 608 00:23:20,520 --> 00:23:22,590 BATES ASKED ME TO BEHAVE MYSELF. 609 00:23:22,620 --> 00:23:24,120 - OH, FUCK THAT. 610 00:23:24,150 --> 00:23:26,760 - I LIKE YOU WHEN YOU'RE CRAZY. 611 00:23:26,790 --> 00:23:28,020 - YOU'RE LEAVING TOMORROW, RIGHT? 612 00:23:28,060 --> 00:23:29,830 - I AM. - SO WHAT'S THE DIFFERENCE? 613 00:23:29,860 --> 00:23:31,160 - I'VE HEARD THAT BEFORE. IT DOESN'T END WELL. 614 00:23:31,190 --> 00:23:33,460 - IT DOES END WELL. IT ALWAYS ENDS WELL. 615 00:23:33,500 --> 00:23:34,960 - MM. 616 00:23:39,670 --> 00:23:42,100 - I CAN'T BELIEVE THESE WORDS ARE ABOUT TO COME OUT 617 00:23:42,140 --> 00:23:44,010 OF MY MOUTH, BUT LET'S NOT DO THIS, KAREN. 618 00:23:44,040 --> 00:23:47,040 YOU'VE GOT SO MUCH SHIT GOING ON IN YOUR LIFE RIGHT NOW. 619 00:23:47,080 --> 00:23:48,180 YOU DON'T WANT TO ADD THIS TO THE MIX. 620 00:23:48,210 --> 00:23:50,480 - REALLY? I DO. - YEAH. 621 00:23:50,510 --> 00:23:52,980 BESIDES, IF YOU SAMPLED MY WARES AGAIN, 622 00:23:53,020 --> 00:23:54,580 YOU COULDN'T JUST DO IT ONCE. 623 00:23:54,620 --> 00:23:56,550 YOU KNOW THAT. - SO WHAT? 624 00:23:56,590 --> 00:23:59,920 - AND THEN YOU'D BE IN A WORLD OF CONFLICTED EMOTIONAL SHIT. 625 00:23:59,960 --> 00:24:01,620 AND SHIT. 626 00:24:01,660 --> 00:24:05,830 YOU KNOW? - YOU'RE RIGHT. 627 00:24:05,860 --> 00:24:08,600 THANK YOU FOR LETTING ME BE THE CRAZY ONE FOR ONCE. 628 00:24:08,630 --> 00:24:09,970 - IT'S MY PLEASURE. 629 00:24:10,000 --> 00:24:15,040 IT WAS NICE FOR ME TO BE THE SANE ONE FOR ONCE. 630 00:24:15,070 --> 00:24:19,270 IT GAVE ME A MORALLY RIGHTEOUS BONER. 631 00:24:19,310 --> 00:24:20,880 - IS THAT WHAT THAT WAS? 632 00:24:20,910 --> 00:24:21,880 - MM-HMM. 633 00:24:21,910 --> 00:24:23,750 MAYBE THAT WAS JUST YOU. 634 00:24:23,780 --> 00:24:25,480 - I HOPE SO. 635 00:24:30,550 --> 00:24:32,920 - OH, KILL ME NOW. 636 00:24:32,960 --> 00:24:35,720 - [laughs] 637 00:24:35,760 --> 00:24:38,630 - COME ON. 638 00:24:43,870 --> 00:24:45,230 THERE YOU-- 639 00:24:45,270 --> 00:24:48,700 - [laughing] STOP. 640 00:24:48,740 --> 00:24:51,210 MWAH. MWAH. 641 00:25:06,090 --> 00:25:08,560 - HEY, HAVE YOU GUYS SEEN TYLER ANYWHERE? 642 00:25:08,590 --> 00:25:11,690 - NO. 643 00:25:11,730 --> 00:25:13,700 ARE YOU OKAY? 644 00:25:13,730 --> 00:25:15,200 - THEN AFTER THAT SHIT, I HIT THAT BITCH 645 00:25:15,230 --> 00:25:16,870 WITH A MOTHERFUCKING MINIVAN. 646 00:25:16,900 --> 00:25:18,270 - W-WHAT'S A MINIVAN? 647 00:25:18,300 --> 00:25:20,900 both: TWO IN THE FRONT, FIVE IN THE REAR. 648 00:25:20,940 --> 00:25:22,870 - SHIT, YO. - [laughs] 649 00:25:22,910 --> 00:25:25,240 - ALL RIGHT, BREAK IT UP, FUNNY PEOPLE. 650 00:25:25,270 --> 00:25:27,710 ANYBODY SEEN KALI? - TOO MANY. 651 00:25:27,740 --> 00:25:29,280 - MAYBE SHE IN THE BATHROOM, MAN. 652 00:25:29,310 --> 00:25:30,710 - UH-HUH. - HIT THIS SHIT. 653 00:25:37,820 --> 00:25:40,690 - UH, HOLD ON. I'LL BE OUT IN A SECOND. 654 00:25:47,630 --> 00:25:48,960 WHAT'S WITH YOU BARGING IN THE BATHROOM? 655 00:25:49,000 --> 00:25:50,700 IS THAT YOUR ONLY MOVE? - SHIT. 656 00:25:50,730 --> 00:25:53,200 YOU GOT TO BE FUCKING KIDDING ME. 657 00:25:54,870 --> 00:25:57,870 OH. - WHAT, SHE WALKED IN ON ME. 658 00:25:57,910 --> 00:25:59,010 I HAD TO HIDE. - YOU THINK 659 00:25:59,040 --> 00:26:00,280 THIS IS FUCKING FUNNY? 660 00:26:00,310 --> 00:26:01,980 - NO, BUT I THINK IT WAS INEVITABLE. 661 00:26:02,010 --> 00:26:03,810 - MY DAUGHTER IS OUT THERE RIGHT NOW. 662 00:26:03,850 --> 00:26:05,310 YOU THINK IT'S OKAY TO DISRESPECT HER? 663 00:26:05,350 --> 00:26:07,620 - OH, COME ON, MAN, I'M ONLY HUMAN, OKAY? 664 00:26:07,650 --> 00:26:09,250 WE HIT IT OFF. SHE PULLED ME IN HERE. 665 00:26:09,280 --> 00:26:10,750 WHAT THE FUCK WAS I SUPPOSED TO DO? 666 00:26:10,790 --> 00:26:12,090 - RESTRAIN YOURSELF. I DON'T KNOW. 667 00:26:12,120 --> 00:26:13,760 BREAK UP WITH BECCA. TAKE YOUR PICK. 668 00:26:13,790 --> 00:26:14,960 - LIFE IS MESSY, MAN. OKAY? 669 00:26:14,990 --> 00:26:16,690 SOMETIMES SHIT HAPPENS. 670 00:26:16,730 --> 00:26:19,030 - THAT'S THE BEST YOU'VE GOT? "SHIT HAPPENS"? 671 00:26:19,060 --> 00:26:21,230 - YOU KNOW WHAT, YOU ARE SUCH A FUCKING HYPOCRITE, HANK. 672 00:26:21,260 --> 00:26:23,030 YOU PUT KAREN AND BECCA THROUGH MORE SHIT 673 00:26:23,070 --> 00:26:25,000 THAN I CAN DREAM UP AND FIT INTO ONE FUCKING SCREENPLAY, 674 00:26:25,030 --> 00:26:26,640 AND HERE YOU ARE, STANDING HERE, 675 00:26:26,670 --> 00:26:28,200 GIVING ME FUCKING LIFE LESSONS? 676 00:26:28,240 --> 00:26:29,640 YOU KNOW, FACE IT, 677 00:26:29,670 --> 00:26:31,910 I AM A BETTER, YOUNGER VERSION OF YOU, 678 00:26:31,940 --> 00:26:34,940 SO JUST FUCK OFF, OLD MAN. 679 00:26:43,950 --> 00:26:46,190 - JESUS. WHAT IS THAT, A FUCKING BUFFALO BACK THERE? 680 00:26:46,220 --> 00:26:47,790 - [yells] 681 00:26:47,820 --> 00:26:49,190 [exclamations] 682 00:26:49,220 --> 00:26:51,060 - WHAT THE FUCK, MAN? HEY, HANK! 683 00:26:51,090 --> 00:26:54,660 HEY! WHAT THE FUCK ARE YOU DOING, MAN? 684 00:26:54,700 --> 00:26:55,760 HANK! 685 00:26:55,800 --> 00:26:57,270 - OH, MY GOD. OH, MY GOD. 686 00:26:57,300 --> 00:27:00,400 - NO! 687 00:27:00,440 --> 00:27:03,010 - COME ON! STOP IT! 688 00:27:03,040 --> 00:27:05,270 - CHRIST. WHAT ARE YOU DOING? 689 00:27:11,950 --> 00:27:14,420 [Stuart crying] 690 00:27:19,960 --> 00:27:23,460 - CHARLIE RUNKLE, YOU KNOW HOW TO THROW A PARTY, MAN. 691 00:27:23,490 --> 00:27:27,160 - OH, THANK YOU. 692 00:27:28,860 --> 00:27:31,770 - DON'T YOU REMEMBER ANYTHING? 693 00:27:31,800 --> 00:27:33,240 HMM. 694 00:27:33,270 --> 00:27:35,970 - * TRYING TO FIND WHERE TROUBLE ENDS * 695 00:27:36,000 --> 00:27:38,270 - MAYBE IT'S THAT BUMP ON YOUR HEAD. 696 00:27:38,310 --> 00:27:40,940 CAN YOU TALK? 697 00:27:40,980 --> 00:27:42,380 - * I FOUND OUT IT'S IN YOUR FRIENDS * 698 00:27:42,410 --> 00:27:43,710 - YOU KNOW, WORDS? 699 00:27:43,750 --> 00:27:45,250 BLAH, BLAH, BLAH, LIKE THAT? 700 00:27:45,280 --> 00:27:46,950 CAN YOU DO THAT? BLAH, BLAH, BLAH? 701 00:27:46,980 --> 00:27:51,120 - * PEOPLE LOOKING FOR SUCCESS * 702 00:27:51,150 --> 00:27:55,990 * THINK IT COMES IN CASH AND CHECKS * 703 00:27:56,020 --> 00:27:59,830 - SEE THIS? THIS IS CALLED A ROCK. 704 00:27:59,860 --> 00:28:04,730 - * I KNOW LOVE CAN GROW ON TREES * 705 00:28:04,770 --> 00:28:07,770 * TRUST AIN'T SOMETHING 706 00:28:07,800 --> 00:28:10,140 * COMES WITH EASE 707 00:28:10,170 --> 00:28:13,740 * 708 00:28:13,780 --> 00:28:18,750 * WOMEN MOVE LIKE HURRICANES * 709 00:28:18,780 --> 00:28:23,920 * TRYING TO FIND SOMEONE TO BLAME * 710 00:28:23,950 --> 00:28:31,830 *